Spatial consequences condensed in materials and symbols. Body density produced by contemplation of mass-scale motion events. /// The magnitude of many bodies moving in contact with architecture – power - expresses the material quality of History. History within matter and matter of history. Colour, shape, object and choreography. Protesting technologies are a material aesthetic face of oppressed's history on struggle for social organization of labor. /// They come from manual practices, choice of objects, a reason between spatial consequences and survival, counter-choreographic training, actions, and production of threat. The threat is potential violence actualizing violence through its absence producing power. ///Manual making preparation for consequences of movement. Acknowledgement of opposing thumb as the first step for work. The labor and the opposing thumb were co-opted by the capital but not when materiality informs plastic produced in the third world using prehistoric materials at expense of human sacrifice. As well as oil industry equal to the ongoing world war. Both are flammable allied to glass to be thrown against banks' window that shouldn't be there, as well as the glass, the plastic, the oil and the opposing thumb./// The nation state sets up several forms of life in only one through threat of death. The nation state is constant threat of death that homogenizes us in humanity. It is the historical production of non-history. We are united by bureaucratic work that professionalizes state violence. /// Every object is a potential weapon to defies the sniffing surveillance's ability of the fear sergeant called insurance. Fire alarm has been triggered and bodies are indistinct from state of emergency.//////// Many were the ones who fell for carrying vinegar. It is forbidden to use smoke machines in theaters. It was forbidden to shout fire. The dictatorship has come.//////// Resistance technologies are empty water pots with crepe tape since there are no more gas masks in Venezuela. Cyborgues of precariousness Gondwana.//////////// Bureaucracy has won. Resistance and guerrilla warfare are inseparable from life in flesh. Everyone is persecuted. Except from... Guarded and vigilant. Watched and policing. Resistance's materiality express its own production history and condense human body senses through contemplative action towards color./////// A momentum of condensation between matter and History.////// Democratic perversion took on a different face than fascism. Election is the archetypal theater of social figures. Game of identification: sad characters living in slavery under belonging propagandas. Forms of life were eradicated by national project creating the hyperrealism sustained by media. Fantastic realism of democracy is a stereotypes machine generated by algorithms of origin / class / gender / function able to transform Oppressed's History into consumption spectrum or shame.//// We seek for a cyclical counter-architecture in response to capitalist hydra. Committed to people's liberation from parodistic cycles of abuse and exploitation./// It has as many names as sand into ocean and we have as many guns as toilets in a mall./// Pulling back and expropriating what was swallowed and chewed./// Crushed we will eat the horizon before the sun rises crossing the dark misshapen night. /// Indistinct of fascist officials in clothes, positions and conditions but knowing how to use a pen to kill.
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